Topic: Music and Art

He could have been a modern-day Mozart if he had concentrated on composing classical music. Like Mozart, he was a child prodigy. He studied composition in California and whilst still at school started working on musical scores for Hollywood films. In 1958, he did the scores for Gigi followed by Porgy and Bess, Irma La Douce and My Fair Lady.
He could have been one of the greatest jazz musicians ever - if he had stuck to playing jazz. He first became interested in jazz after hearing Art Tatum, Bud Powell and Charlie Parker. His 1957 album of My Fair Lady with Shelly Manne became a best seller. Many people do not realise that nearly all the great jazz pianists were trained in the classics before graduating to jazz. Had Mozart been alive today, I am sure he would have been utterly fascinated by jazz music, which often involves 'impromptu composition' around the melody being played. In a jazz group, this 'impromtu composition' is often bounced back and forth amongst the players. The late bassist, Ray Brown, with whom Previn recorded Jazz at the Musikverein, was a grand master of this art.
However, Previn could not choose between his love of jazz and his love of the classics. He turned back to the classical world and worked with many world-famous orchestras including ten years with the London Symphoney Orchestra and eight years with the Pittsburg Symphony Orchestra.
In 1995, he returned briefly to jazz when he recorded his concert at The Musikverein, in Vienna. In 1998, his first opera, A Streetcar Named Desire, premiered in San Francisco.
Without doubt, he is a genius, a giant in the world of music. But, from my point of view, I will always think of him as a great jazz pianist.